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Идентичность женщины в социокультурных реалиях и нарративах начала ХХІ века (The Identity of Woman in the Socio-Cultural Realities and Narratives of the Beginning of the Century)

Зимарёва, Ю. (Zimaryova J.) (2015) Идентичность женщины в социокультурных реалиях и нарративах начала ХХІ века (The Identity of Woman in the Socio-Cultural Realities and Narratives of the Beginning of the Century). Наукові записки Національного університету "Острозька академія". Серія "Гендерні дослідження"., Вип. 1. pp. 96-103.

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В русле определения рефлексивного «Я» как процесса, в котором «сэлф»-идентичность конструируется рефлексивным порядком «сэлф»-нарративов, образ «нарративного пар тикуляризма» предполагается ключевым в понятии как эпистемологического «Другого», так и гендерной идентичности в целом. Противоречия нарративов в субъективации женщи ны репрезентированы сегодня острее, чем когда-либо ранее, во многом вследствие влияния новых медиа, действующих в операционном пространстве массовой культуры. (The identity of an individual in his/her connection with the socio-cultural realia of the third millennium is of great importance for the scientists of different humanitarian subjects, still the first priority in this postmodern research belongs to the gender identity. Gender identity has received an analytic elaboration in the philosophic accounts that as a rule, centre on the question of what internal feature of the person – man or woman – establishes the continuity of self-identity of the person through time. Intelligible genders are considered to be those which maintain their relations of coherence through narratives, through cultural «histories», which constitute personhood. As the postmodern theory is proclaimed as to be consequence of the last century`s obsession with the language, the concept of discourse and narrative are of great importance to the most important 20 th century thinkers. Feminist philosophers following postmodern classical thinkers, claim that culture and narratives are always gender «histories»: people – men and women – investigate and organize themselves in the world by means of constructing «self-story» – the main organizing narrative defining who we are and what we are in the world which we live in. Nowadays these narratives are represented as a rule, in the pop-culture in accordance with the strict norms of cultural stereotypes. Nowadays none of the variety of natural female beauty is good enough. To meet the demands of mass culture women fake not only light-heartedness or girlishness, they also fake their appearance: face, figure, hair, breasts, etc. Women are illusionists because men want an illusion, and the identity of those «man-made» women are oversimplified. Nevertheless many meaningful features of woman’s personality are undergoing substantial changes these days, and it is obvious that the stereotypical image of «true woman» is losing its universal character now.)

Item Type: Article
Corporate Creators: Національний університет "Острозька академія" (The National University of Ostroh Aсademy)
Uncontrolled Keywords: гендерная идентичность, «сэлф», нарратив, дискурс, медиа, культура (gender, identity, self, narrative, discourse, media, culture)
Subjects: by fields of science > Gender Researches
Наукові збірники НаУОА
Divisions: The College of Humanities > The Department of Cultural Studies and Philosophy
Depositing User: Пров. б-р Наталя Денисенко
Date Deposited: 06 Feb 2017 13:44
Last Modified: 06 Feb 2017 13:44

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