Кризис гендерной идентичности в нарративах и дискурсах постмодерна (The Crisis of Gender Identity in the Arratives and Discourses of Postmodernism)

Власова, Т. (Vlasova T.) (2015) Кризис гендерной идентичности в нарративах и дискурсах постмодерна (The Crisis of Gender Identity in the Arratives and Discourses of Postmodernism). Наукові записки Національного університету "Острозька академія". Серія "Гендерні дослідження"., Вип. 1. pp. 10-18.

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Abstract

Взаимодействие «Я» с различными проектами личности
базируется на нормах особого интерпретативного «репертуара».
Рефлексивное
«Я»
(«Self»)
определяется
как
процесс,
в
котором
гендерная
идентичность
конструируется
посредством
рефлексивного порядка «сэлф»-нарративов. (The dramatic changes in the world’s culture, politics, and
economy have had an essential impact on the deep structures of an
individual’s «Self», whatever gender it might be.
The interconnection of «Self» with other individuals’ projects is
based on the norms of special interpretative «repertoire». The reflexive
«Self»
is
defined
as
a
process
in
which
gender
identity
is
being
constructed
by
means
of
the
reflexive
order
of
«Self»-narratives.
A
person
–
man
or
woman
–
is
said
to
be
«an
animal
telling

stories»,
so
to
be
human
means
to
possess
«a
history»
and
to
tell

it.
The
most
fundamental
internal
cultural
«history»,
interacting
with
all
the
other
cultural
narratives,
is
a
narrative
of
gender.
Of
great
importance
is
the
way
in
which
gender
enters
the
narrative of «Self» and determines it. As an example of the narrative including
many
gender
histories
the
novel
«In
One
Person»
by
J.
Irving

is
analysed.
The
novel
about
love
and
social
education,
«In
One

Person»
is
a
narrative
of
gender/sexual
identity
including
all
the
key
discourses
of
sexuality
in
the
end
of
the
XX
th
century. One of
the most vivid examples at the beginning of the new millennium
is Lady Gaga, a symbol for a new kind of feminism, the cultural
practices for a new generation. Researchers stress that Lady Gaga
as both a media product and a media manipulator has become
the vehicle for innovative deployments of femininity representing
it by pop performances characterized by their excess, their loss of
control and a «maverick» sense of bodily identity. The latter is one
more evidence of the importance of the very problem of gender
identity: gender references interfere not only with social categories
but
also
with
the
deep-conscious
«I»,
culturally
constructed
«Self»
of an individual – both man and woman)

Item Type:	Article
Uncontrolled Keywords:	идентичность, гендер, «сэлф», нарратив, перформативность, цитация, репрезентация, «gaga» – феминизм (identity, gender, self, narrative, performance, citation, representation, gaga feminism)
Subjects:	by fields of science > Gender Researches Наукові збірники НаУОА
Divisions:	The College of Humanities > The Department of Cultural Studies and Philosophy
Depositing User:	заввідділу Наталя Денисенко
Date Deposited:	06 Feb 2017 12:39
Last Modified:	06 Feb 2017 12:39
URI:	https://eprints.oa.edu.ua/id/eprint/5389

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