Идентичность женщины в социокультурных реалиях и нарративах начала ХХІ века (The Identity of Woman in the Socio-Cultural Realities and Narratives of the Beginning of the Century)

Зимарёва, Ю. (Zimaryova J.) (2015) Идентичность женщины в социокультурных реалиях и нарративах начала ХХІ века (The Identity of Woman in the Socio-Cultural Realities and Narratives of the Beginning of the Century). Наукові записки Національного університету "Острозька академія". Серія "Гендерні дослідження"., Вип. 1. pp. 96-103.

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В русле определения рефлексивного «Я» как процесса, в
котором «сэлф»-идентичность конструируется рефлексивным порядком «сэлф»-нарративов, образ «нарративного пар
тикуляризма» предполагается ключевым в понятии как эпистемологического «Другого», так и гендерной идентичности
в целом. Противоречия нарративов в субъективации женщи
ны репрезентированы сегодня острее, чем когда-либо ранее,
во многом вследствие влияния новых медиа, действующих в
операционном пространстве массовой культуры. (The identity of an individual in his/her connection with the
socio-cultural realia of the third millennium is of great importance
for the scientists of different humanitarian subjects, still the
first priority in this postmodern research belongs to the gender
identity. Gender identity has received an analytic elaboration in
the philosophic accounts that as a rule, centre on the question of
what internal feature of the person – man or woman – establishes
the continuity of self-identity of the person through time.
Intelligible genders are considered to be those which maintain
their relations of coherence through narratives, through cultural
«histories», which constitute personhood. As the postmodern
theory is proclaimed as to be consequence of the last century`s
obsession with the language, the concept of discourse and
narrative are of great importance to the most important 20
thinkers. Feminist philosophers following postmodern classical
thinkers, claim that culture and narratives are always gender
«histories»: people – men and women – investigate and organize
themselves in the world by means of constructing «self-story» –
the main organizing narrative defining who we are and what we
are in the world which we live in. Nowadays these narratives are
represented as a rule, in the pop-culture in accordance with the strict norms of cultural stereotypes. Nowadays none of the variety
of natural female beauty is good enough. To meet the demands of
mass culture women fake not only light-heartedness or girlishness,
they also fake their appearance: face, figure, hair, breasts, etc.
Women are illusionists because men want an illusion, and the
identity of those «man-made» women are oversimplified.
Nevertheless many meaningful features of woman’s personality
are undergoing substantial changes these days, and it is obvious
that the stereotypical image of «true woman» is losing its universal
character now.)

Item Type: Article
Uncontrolled Keywords: гендерная идентичность, «сэлф», нарратив, дискурс, медиа, культура (gender, identity, self, narrative, discourse, media, culture)
Subjects: by fields of science > Gender Researches
Наукові збірники НаУОА
Divisions: The College of Humanities > The Department of Cultural Studies and Philosophy
Depositing User: заввідділу Наталя Денисенко
Date Deposited: 06 Feb 2017 13:44
Last Modified: 06 Feb 2017 13:44
URI: https://eprints.oa.edu.ua/id/eprint/5398

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